https://kayjscage.tumblr.com/post/180780727834/audio_player_iframe/kayjscage/tumblr_pedgxgTqn71th0fel?audio_file=https%3A%2F%2Fa.tumblr.com%2Ftumblr_pedgxgTqn71th0felo1.mp3

merlins-earmuffs:

A LGBTQIA+ version of Jolene by Dolly Parton

music video || follow me on Soundcloud

lyrics below the cut (changes to lyrics are in italics!)

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safetytank:

mememic-bry:

gooeygoob:

fernlom:

hurloaned:

This guy is a chaotic trickster god

SOMEBODY IN THE COMMENTS FOUND THE SONG BUT ONLY POSTED IT AS A REPLY SO HERE IT IS TO REBLOG: https://www.youtube.com/watch?v=gonM1ff_NWU


https://kayjscage.tumblr.com/post/178688839854/audio_player_iframe/kayjscage/tumblr_nynelwlHEn1s6ktev?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fkayjscage%2F178688839854%2Ftumblr_nynelwlHEn1s6ktev

queen-kaiju-lexi:

gransmells:

gransmells:

for that anon

i call it satanwave

you guys are fucking amazing

The sound of me walking into the room.

roaringstream:

chasecharmer:

chasecharmer:

genres are OUTDATED. i sort my music by thottiness, jammability, rebelliousness, theatricality, and depression.

the emo trinity’s average song stats

mcr 

fob

patd

as you can see, no one really touches patd for thottiness, but mcr is the only viable choice for an apocalypse anthem. fob is the most well-rounded of the three, but given that they have neither depression, thottiness, nor rebelliousness above an 8 they can occasionally fall shallow philosophically speaking. 

‘but where is gayness on this chart?’ you ask, like a moron. rebellion, theatre, thothood, jamming, and depression are the five component parts of every gay worth their salt. next question. 

This is the most powerful chart I’ve ever seen